Charles (Carlos) Sergison Marega

September 24 1871 - March 24 (27?) 1939

Canadian Handicrafts Guild (Member 1914-?)
Instructor, VSDAA/VSA (1925-39)
B.C. Society of Fine Arts (President 1917-18)
B.C. Society of Fine Arts/B.C. Society of Artists: Exhibitor's Timeline
B.C. Art League (Organizing Committee 1920)
Vancouver Exhibition
Palette and Chisel Club (President)
Art, Historical and Scientific Association of Vancouver (Member 1931)


Charles Marega was one of Vancouver's most noted sculptors. The legacy of his work remains for our viewing pleasure throughout Vancouver - from the lions of the Lions Gate Bridge to Captains Burrard and Vancouver on the Burrard Bridge. Other public works include the Harding Memorial in Stanley Park, the King George memorial fountain at the Art Gallery, the heroic bronze statue of Captain Vancouver at Vancouver City Hall (with a duplicate in London, England), the Joe Fortes Memorial at English Bay, and the large bust of Oppenheimer on Beach Avenue at the entrance to Stanley Park across from the Parks Board offices.

Stanley Park seawall, Coal Harbour. Photograph by Gary Sim

He was born Carlos Marega in Lucinico, Trieste, Italy, in 1871, and died in Vancouver in March 1939. He arrived in Vancouver in 1909 with his wife Bertha, after artistic training in Trieste and Vienna and travels in Europe and South Africa. Although they were just passing through Vancouver on a trip, they liked it and never left.

Oppenheimer memorial, Stanley Park, 1910, photos by Gary Sim

Marega was commissioned to do the Oppenheimer bust in 1910. It was originally intended that another artist do the commission, but it was discovered that the other artist had passed away two years prior to the commission. Thus the comment in the 1909 review by "Felix Penne" (see clippings below).

It was cast with a date of 1911 in England by Elkington & Company Ltd., a company who started their business in the 1830s. Most of their work was not cast bronze work like this, and 1911 is one of the latest dates known for a bronze casting by them.

Decorations to the Sun Building, 1912.

King Edward VII fountain, 1912

Proposed Pauline Johnson Memorial, c1913

Marega entered sculptures into B.C. Society of Fine Arts (BCSFA) annual exhibitions, including the 1917 show, where he also provided a sculpture by Prof. Novello of Verona, Italy, to the Loan Collection.

He was listed in the 1914 Social Register as a member of the Canadian Handicrafts Guild.

A short biography of Marega was published in The Gold Stripe, Volume One, printed just before Christmas 1918. Marega also had photographs of his sculpture illustrated on the cover of both that issue and The Gold Stripe, Volume Two in 1919. The biography also had illustrations of his work.

From The Gold Stripe, 1918 & 1919

Marega was President of the B.C. Society of Fine Arts from 1917 to 1918, after which he resigned. The BCSFA board expressed their regret, and moved to ask him to "clearly state the reason for this rather extreme action". There is no record of his reply. (information from BCSFA Fond, Vancouver City Archives)

He was involved in the foundation of the B.C. Art League, sitting on the organization committee in 1920.

In 1921, for reasons now apparently unknown, he sold his house and plaster business and he and his wife moved back to Europe. Two years later in 1923 they moved back to Vancouver, where they rented a house or apartment for the rest of their stay.

Harding Memorial, Stanley Park, 1925, photos by Gary Sim

Unveiling the Maple Tree monument, 1925. Photograph Stuart Thomson (q.v.)

He was appointed as instructor of modelling at the Vancouver School of Decorative and Applied Arts, beginning in the school's first year of operation in 1925. He lectured on sculpture to the B.C. Art League, and published extracts from this lecture in the June 1926 VSDAA annual, known as "The Paint Box." A student Class Report in the annual (page 27) noted that Marega's assistant at the school was Mr. Alfredo Dal Fo (actually Dalfo).

Alfredo Dalfo was born in Pittsburgh in 1905, to Italian-born parents. The family moved to Vancouver around 1912. The 1925 City Directory lists him as "artist" living at 622 Union Street. The City Directory for 1926 lists him as Marega's apprentice; as his modelmaker in 1927; as his apprentice in 1928; as his shop hand in 1929; and as his helper in 1931. In 1945 he married Rose Iaci in Vancouver, his occupation noted as "model maker" and "Owner of model shop."

Marega teaching the founding class at the art school, 1925-26

Joe Fortes Memorial, 1927, photos G. Sim

In 1928 Marega donated a "sculptured replica in white marble of the death mask of Pauline Johnson" to the Art, Historical and Scientific Association of Vancouver. (AHSAV fond, Vancouver City Archives)

Marega was comissioned to do a relief panel above the main entrance to the Vancouver Technical School on Broadway, designed in 1928 by Townley and Matheson.

He exhibited in the Seattle Art Museum's annual Northwest Artists exhibition in 1930.

Marega exhibited at the Vancouver Exhibition in 1930, representing the Palette and Chisel Club. He also exhibited with the B.C. Society of Fine Arts from 1932 to 1934. Marega was one of only three local artists to display work in The Founders Collection, the first exhibition held at the Vancouver Art Gallery when it opened in October 1931.

Bust of Thomas Fripp by Marega, 1931

Burrard Bridge, opened 1932

Captain Vancouver, proposed and actual, Vancouver City Hall, 1936.

Marega designed the coat of arms over the entrance to the Seaforth Armoury in 1936.

Seaforth Highlanders Armoury - Coat of Arms

Marega taught at the Vancouver School of Art literally until his death in 1939 - passing away from a heart attack after teaching his last class. He was a founding instructor at the art school, and Vancouver's most important early sculptor.

Lions Gate Bridge, east lion

William (Billie) Lort, Ross Lort's son, told me the following story. When Marega was working on the design for the lions at the south entrance to the Lion's Gate Bridge, he asked Ross Lort on which side of each lion Lort thought the tails should go. Lort suggested that the lions should each have two tails, one on each side, and that way viewers would see a tail no matter which side they were looking from (any very few people would ever climb onto either lion and notice that there were two tails). Marega apparently did not think this was funny, and the lions have one tail each.

Details - Hycroft Manor fireplace



1909 Oct. - Nov. Vancouver Studio Club Autumn Exhibition (wax figures)
1910 May BCSFA   Third Exhibition Sculpture
1912 Nov. 25 - 30 BCSFA   Annual Exhibition Dr. McLoughlin
Indian Basket-Seller
Mozambique Boy
1915 April BCSFA   Works by Members The Miser
How to get the vote!
Sketch for Pauline Johnston Memorial
The Victor
1917 Sept. 14 - 22 BCSFA   Eleventh Exhibition A Comrade's Last Tribute (sculpture)
Doing Her Bit (sculpture)
1924 Aug. 9 - 16 Vancouver Exhibition   Annual Exhibition The Wounded Soldier
1928 Feb 18 - Mar 18 Palette and Chisel Club Exhibition Mussolini (Mask)
Comic Stories (Grotesques)
Comic Stories (Grotesques)
Fighting Putti
Frances Bursill (Impression)
1930 Aug. 6 - 16 VanExh   Oil Paintings & Water-colours Mussolini - Bronzed Concrete
Squamish Indian, Bronzed Plaster
Christ - Plaster
1931 October 5 - ? Vancouver Art Gallery
The Founder's Collection
T.W. Fripp, Artist (Bronze)
1932 May - July VAG   All Canadian Exhibition The Wounded Soldier
Squamish Indian
1932 Oct. 5 - 30 VAG   B.C. Artists 1st Annual Bernard McEvoy
1933 May 20 - 31 VAG   Palette & Chisel Club Exhibition The Prospector
Indian Totem Pole Carver
Squaw with Papoose
Indian Basket Seller
1933 Sept. 22 - Oct. 15 VAG   B.C. Artists 2nd Annual The Day is Done
Il Genio
1934 Sept. 21 - Oct. 14 VAG   B.C. Artists 3rd Annual Bas Relief in Bronze (Medallion)
1936 June 26 - July 12 BCSFA   26th Annual Head of Squamish Indian
Totem Pole Carver
Indian Basket Seller
1946 July 2 - 28 VAG   Jubilee Exhibition German Soldier (Caricature)
1950 April 25 - May 14 BCSA   40th Annual T.W. Fripp


      1918, Christmas. Published by the Amputation Club of B.C., Vancouver
      216 pages (including text, advertisements and photographs)
      Heavily illustrated by many early Vancouver artists.
      Includes short biography of Marega and illustrations of his work.

      Includes Faculty photo and photo of Marega sculpture class at work.

THE PAINT BOX Vol. 1 No. 1 June 1926
      44 pages, illust. black & white. Art, articles, humour, advertisements, student addresses
      Student Annual of the Vancouver School of Decorative & Applied Arts
      Includes "Sculpture", extracts from a lecture given by Marega before the B.C. Art League
      Class reports: "Modelling Class" by Frances Gatewood

     Refer to NWA BC artists by exhibition
     Refer to NWAA BC artists alphabetically


100 YEARS OF B.C. ART (refer to VAG58)

THE FINE ARTS IN VANCOUVER, 1886 - 1930 (refer to THOM)




VANCOUVER: ART & ARTISTS 1931 - 1983 (refer to VAG83)

      Short biography, eight references

      Numerous references to Marega, photographs, etc.

LION'S GATE by Lilia D'Acres & Donald Luxton
      1998, ISBN 0-88922-416-1; 178 pages, published by Talon Books
      Illustrated throughout; good information on Marega and the Lions.

      2 references cited for Marega: Macdonald and WWNA above.



CITY & PROVINCIAL DIRECTORIES 1915, 1922, 1925, 1932 (refer to DIR)

BC SOCIETY OF FINE ARTS fond at Vancouver City Archives

BC ART LEAGUE fond at Vancouver City Archives

Italian Cultural Centre Charles Marega 150th Anniversary series of exhibitions:


"These (small wax figures) have the right feeling and directness of life and there is every indication the sculptor is capable of broader and more ambitious work - which I shall be glad to see. Soon Vancouver will not have to propose dead sculptors to design memorials - there are and will be living and capable sculptors nearer home than on the other bank of the Styx."
      (Review of Studio Club exhibition), by "Felix Penne"
      Vancouver World, October 1909

"Having in childhood taken my first steps in a sculptor's studio - having been constantly associated with the plastic art all my life - it is particularly pleasant to welcome to Vancouver a sculptor, Mr. C. Mareges, (sic) who is represented by little realistic groups in wax. These have the right feeling, a directness and life which reminds one of Geo. Tinworth, but there is every indication that the sculptor is capable of broader and more ambitious work - which I shall be glad to see."
      "The Studio Club Autumn Exhibition" by "Felix Penne"
      B.C. Saturday Sunset, October 30 1909

"Nor though have we spoken chiefly of painting, must we forget the sculptor Marega ..."
      From "Art in British Columbia", by Bernard McEvoy
      Opportunities Magazine, 1910

"Thousands Witness Unveiling of Memorial to the Late King"
       Vancouver Sun May 7 1912

"There is only one exhibit of sculpture, namely that of Mr. C. Marega who contributes a portrait bust of his wife, remarkable for its vivacity, and said by those who know to be an excellent likeness; and a smaller bust of the late Right Hon. Sir Charles Tupper. Considering the disadvantages under which the artist labored in having to work only from photographs in this latter subject, he must be credited with a very satisfactory measure of success, the characteristics of the distinguished subject being brought out with a masterly vigor."
      From "With The B.C. Artists", by "A Visitor"
      Vancouver Daily Province, September 27, 1916

"Among members who have had the advantage of European training in the continental schools are ... C. Marega (Rome, Florence, and Paris) ..."
      From "Eleventh Annual Exhibition of Fine Arts", Bernard McEvoy
      Studio Magazine. London England, February 15, 1918

"The committees which will be recommended to the League were named as follows: ... C. Marega ..."
      From "B.C. Art League Committees Are Active"
      Western Woman's Weekly, October 9 1920

"The League unanimously expressed its approval of the proposed memorial by Mr. C. Marega, the sculptor, for erection over the grave of E. Pauline Johnson, in Stanley Park."
      "Important Meeting of B.C. Art League"
      Western Woman's Weekly, April 23 1921

"An energetic committee of which Mr. C. Marega is chairman, has the matter to hand ..."
      "Coming Art School"
      The Daily Province, January 13 1925

"Art Vs. Beer In B.C."
      The Province, Jan 28, 1931

"Fripp Bust to be Presented"
      Vancouver Sun October 1931

"Bronze Figure of Vancouver to Rule Scene"
      Daily Province (?) August 22 1936

"Heroic Bronze By Marega Is Acclaimed"
      Vancouver Sun, Aug. 29 1936

"Lion In The Making"
      Saturday Night, Toronto; Nov. 26, 1938

"Ingenious Device Helps Move Heavy Lions for Bridgehead"
      Vancouver Sun January 13 1939

"Lions Now Guard Bridge"
      Vancouver Sun January 23 1939

"To Guard Narrows Span"
      Daily Province January 23 1939

"Noted Local Sculptor Dies"
      Vancouver Sun, March 25 1939

"Charles Marega Gained Fame for Many Works of Art Here"
      Daily Province March 25 1939

"Charles Marega, Noted Sculptor, Succumbs"
      (unknown newspaper) March 25 1939

"Funeral Of Famed Sculptor Tuesday"
      The Province, March 27, 1939

"Vancouver Monuments" by Leonard W. Meyers (David Oppenheimer bust)
      Vancouver Sun February 14 1953

"Vancouver Monuments" by Leonard W. Meyers (King Edward VII fountain)
      Vancouver Sun February 21 1953

"Vancouver Monuments" by Leonard W. Meyers (Harding memorial)
      Vancouver Sun April 11 1953

"Vancouver Monuments" by Leonard W. Meyers (Joe Fortes fountain)
      Vancouver Sun April 18 1953

"Vancouver Monuments" by Leonard W. Meyers (Captain Vancouver statue)
      Vancouver Sun May 16 1953

"City Fountain 'Sore Thumb' So It's Kicked Down Drain" by Keith Bradbury
      Vancouver Sun April 28 1966

"Lionizing Sculptor Charles Marega" by Don McLellan, photography Kate Williams
      Article with five illustrations of Marega's work.
      Traveller magazine, pages 20, 24, 29, not dated

Article on Marega, SCOUT online May 28 2018