Bernard M. McEvoy

February 7 1842 - February 16 1932

Vancouver Studio Club and School of Art
B.C. Society of Fine Arts
(Charter Member 1908, VP 1909, Hon. Sec.-Treas. 1917, Life Member 1929-1932)
B.C. Society of Fine Arts/B.C. Society of Artists: Exhibitor's Timeline
B.C. Art League (Founding Member)
British Columbia Artist (B.C.A., 1921)
Art, Historical and Scientific Association of Vancouver (Member 1931)

Bernard McEvoy was very prominent in the early art circles of Vancouver. He was born in Birmingham, England, and came to Canada in 1888. He worked on the staff of the Mail and Empire in Toronto, before moving to Vancouver in 1906 (Harper). He was an active artist and participant in arts societies, and he also wrote a column for the local newspaper under the nom de plume of "Diogenes", in which he reviewed art exhibitions and discussed matters of art.

Collected travel letters, 1902

In 1902 McEvoy was asked to travel across Canada, and send letters back to his newspaper about the trip. The letters were subsequently compiled into the book From the Great Lakes to the Wide West. The book is subbtitled "Impressions of a Tour between Toronto and the Pacific". McEvoy is also noted as "Author of "Away From Newspaperdom" Etc."."

The book is illustrated with a number of black & white photographs, although the photographer is not named. An interesting chapter on salmon canning in Steveston describes the Chinese fish-cutters having a puff on an opium pipe every two hours or so.

He was one of the five founding members of the B.C. Society of Fine Arts in 1908, and exhibited in the societie's debut First Annual Exhibition at the Dominion Hall in Vancouver. He also showed two paintings later that year in the Exhibition of Pictures held by the Vancouver Studio Club and School of Art.

In 1910 he had work in an exhibition held by the Island and Crafts Society in Victoria.

In 1917 McEvoy was Honorary Secretary Treasurer of the B.C. Society of Fine Arts as well as a member, showing two paintings in the annual exhibition and loaning one painting by David Cox. He had also exhibited with the group in 1910, 1912, and 1915, and later showed his work in 1921 and 1925. The BCSFA also showed his work in 1936, after his death.

In 1920 McEvoy and John Radford were chiefly responsible for the creation of the B.C. Art League, an organzation founded to help create an art school and art gallery in Vancouver.

McEvoy died in Vancouver in 1932 at the age of ninety. His artwork was displayed in retrospective exhibitions of the B.C. Society of Fine Arts in 1950 and 1960.

References - MONOGRAPHS

Refer to BIBLIO.


1909 April 20 - 28 BCSFA   First Annual Exhibition British Columbia Road
Sea And Sky
In Stanley Park
On The Coquahalla River, B.C.
Mount Burgess
1909 June 19 - July 17 Studio Club   Exhibition of Pictures Ontario Springtime
Sunset Glow
1909 November BCSFA    Second Exhibition Hope, B.C.
Bottom of Burnaby Street, Vancouver, in 1903
1910 May BCSFA   Third Exhibition A Devonshire Cottage
The Gorge, Victoria, B.C.
Near the Credit River, Ontario
1912 Nov. 25 - 30 BCSFA   Annual Exhibition Landscape
1915 April BCSFA   Works by Members On the Severn, Glocestershire, Eng.
The Graveyard of Forest
Land's End, Cornwall, Eng.
Coast of Cornwall, Eng.
After the Storm
An Atlantic Wave
A Bit of North Vancouver
In the Kerry Hills
Edge of an Ontario Farm
1917 Sept. 14 - 22 BCSFA   Eleventh Exhibition Mountain Road, Wales
Glacier B.C.
1921 Sept. 19 - 24 BCSFA   13th Annual Early June
Coquhalla (sic) River, Hope
Ilfracombe (?), North Devon
Lone Poplar
1925 May 9 - 16 BCSFA   17th Annual The Stump
1927 June 10 - 25 BCSFA   19th Annual Marine, "Wind and Weather"
Bow Lake, B.C.
On the Lillooet River
1936 June 26 - July 12 BCSFA   26th Annual Logged Over
1950 April 25 - May 14 BCSA   40th Annual A River in Wales

References - GENERAL

100 YEARS OF B.C. ART (refer to VAG58)

THE FINE ARTS IN VANCOUVER, 1886 - 1930 (refer to THOM)




      5 references listed for McEvoy.

B.C. VITAL STATISTICS ON-LINE death (no certificate posted) (refer to BCVS)


"Mr. B. McEvoy in a small decorative picture entitled "It Seemed Always Afternoon" presents a subject which might be three times the size with advantage. The contrast of light and shade is well given, though a certain flatness of plane somewhat detracts from its otherwise considerable merit. This painter is seen at his best perhaps in No. 84, "Hillabore, North Devon," a simple, faithfully painted transcript of nature in which he has surmounted certain difficulties of color with considerable success. His "In Stanley Park," No. 83, is better in idea than execution, though it is full of the sentiment of nature."
      From "With The B.C. Artists", by "A Visitor"
      Vancouver Daily Province, September 27, 1916

"The President, Mr. Bernard McEvoy, who was in the chair..."
      "Important Meeting of B.C. Art League"
      Western Woman's Weekly, April 23, 1921

"In the "Coquihalla River, Hope" Mr. Bernard McEvoy has given us the pure joy of running water, living water that throws up its head and laughs; it has the gift of wetness that so much painted water lacks and comes from what one feels are real mountains to run among real trees. It is a happy picture.
      From "Pictures at B.C. Fine Arts", by J. Butterfield
      Vancouver Daily Province, September 19 1921, page 12

"Mr. Bernard McEvoy, the "Diogenes" of the "Daily Province", whose "Street Corners" are so eagerly looked for in the Sunday Edition, became a member of the society. Coming to Canada in 1888 from Birmingham, Eng., he was first on the "Toronto Mail and Empire". While in Ontario, he designed for the late Sir. Wm. MacKenzie, the church at Kirkfield, Ontario. As an author, he is better known than an artist, but, as he still wields a powerful pen, he still indulges in landscape painting. His lectures before the society have always been features of much interest."
      "History of the A.H.S.A.V.-Biographical: Founders & Members"
      Museum Notes, Vol. 1, No. 2 June 1926

Article, Vancouver Province February 7 1932

"Bernard McEvoy and John Radford were chiefly responsible for arousing the public's interest in this new society, and in a very short time make-shift premises were acquired where showings of paintings, drawings, and sculpture took place."
      From "A Short Art History of British Columbia", by Charles H. Scott
      Behind The Palette, June 1947